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	<title>Back In The Day ~ The Urban Music Scene</title>
	<updated>2008-10-12T11:03:11Z</updated>
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	<entry>
		<title>Alexander Oneal - Hearsay</title>
		<link rel="alternate" href="http://backintheday.theurbanmusicscene.com/2008/10/07/alexander-oneal--hearsay.aspx?ref=rss" />
		<id>tag:backintheday.theurbanmusicscene.com,2008-10-07:3d956611-9b55-4a86-8e7e-4ba2478b323a</id>
		<author>
			<name>Administration</name>
		</author>
		<category term="Rhythm and Blues" />
		<updated>2008-10-10T21:05:56Z</updated>
		<published>2008-10-07T18:31:00Z</published>
		<content type="html"><![CDATA[<img style="WIDTH: 260px; HEIGHT: 262px" height=252 src="http://images.quickblogcast.com/78992-73711/Alexander_Oneal___Hearsay.jpg" width=240 border=0><br><br><font size=2><em>"I'm Searching High &amp; Low.....To Find A Way To Make You Love Me......So Baby Please Tell Me.......What Can I Say To Make You Love Me Girl!!!"<br><br>"....Playing games of hide &amp; seek.......the answer keeps evading me....."</em><br><br>I cannot, for the life of me, stop jammin the 1st track from one of <strong>Alexander Oneals' </strong>best ever albums in<strong> "Hearsay". </strong>Of course done up to perfection from the one &amp; only Jimmy Jam &amp; Terry Lewis.<br><br>I shared my thoughts about Alexander on numerous articles circulating throughout the site. The same for Jam &amp; Lewis. But <strong>"Hearsay"</strong> is one of those albums that should rate high up there, like Loose Ends's <em>"Zagora" -</em>&nbsp;an album you can play in it's entirety! Both sides.....easily!<br><br>Your collection is in some serious trouble R&amp;B lovers from the 80's, if you do not have <strong>"Hearsay"</strong> somewhere in there.<br><br>What makes this project so different is in the way it was presented. The music was introduced along with narratives &amp; actual segmented interludes that either opened or explained the purpose of each song by title. <br><br>The 1st side was for the JBL's in the bonus or living rooms, outside patio speakers to compliment your BBQ, playing a friendly <em>(if that even exists in a game of cards...) </em>game of spades or domino's, chillin hard with the fella's or ladies, and so on. Y'all know what I mean.<br><br><embed src=http://www.youtube.com/v/NU-2bj_1_-M&amp;hl=en&amp;fs=1 width=425 height=344 type=application/x-shockwave-flash allowfullscreen="true"><br><br>Those lyrics from <em>"(What Can I Say) To Make You Love Me)" <font size=1>(video above)</font> </em>I opened the review with was more than mesmerizing. It broke Alexander's houseparty loose &amp; you KNOW you wanted to be there. Don't front! You know you imagined the landscape of players on the set of Mr. Oneal's party. You wanted to see Alexander's house. Stop messin' around..<br><br>Keep up with me as I send you back to classic hot spots in <em>"Criticize", "The Lovers", "Fake" (video below), "Hearsay".</em>...you name it. <br><br></font><embed src=http://www.youtube.com/v/_Ac_7EmYGXs&amp;hl=en&amp;fs=1 width=425 height=344 type=application/x-shockwave-flash allowfullscreen="true"><br><br><br><font size=2>Then when the sides got flipped, the slow jams took you completely out of the element of a dancefloor explosion, to a early morning or mid afternoon &amp; then sun setting ambiance. And if you don't know or was made well aware of his <em>"Never Knew Love Like This" (with Cherrelle) </em>before "Sunshine" &amp; <em>"Crying Overtime", </em>then forget it. Start all over, buy this album fresh &amp; watch what happens.<br><br>Especially with <em>"Sunshine"</em> &amp; <em>"Crying Overtime".</em> Alexander stretches his powerful crooning abilities into full gear &amp; dramatically endears the listener with sensitive &amp; passionate love songs. Music that highlights another side of Alexander's deep resume of countering fast tracks with ballads for the heart &amp; soul. <br><br>An impression that could be felt instantly is how much Alexander really gets into open affection for his lady on the slow ballads. Generally, many of his lyrics could assist a male listener with open ways to be more creative &amp; romantic, without compromising their character. <br><br>And when the party is about to close out......he couldn't help himself, as the interlude sets you up to believe, but to discover a woman in interest on the way out the door. And Alex dropped a serious note to her <em>(learned from page 112, 3rd paragraph&nbsp;from the National Mackdaddy's Advice &amp; Provisions Guide)</em> to stay a little while longer in <em>"When The Party's Over".<br><br></em>If I could, I would replay the entire album on y'all right now! Please visit Amazon, YouTube, CDUniverse &amp; so on &amp; click play to those song samples &amp; videos eagerly awaiting your ears.<br><br>And Charles, Marvin, Derek &amp; T.U.M.S., I KNOW y'all know something about this one...The same for the rest of you!<br><br>T<br>The Urban Music Scene<br><br>..."T"? Did you say <em><strong>"Crying Overtime" &amp; "When The Party's Over"? </strong></em>OK!!! Take a look below!<br></font></embed><br><embed src=http://www.youtube.com/v/KiHUaD99Jlk&amp;hl=en&amp;fs=1 width=425 height=344 type=application/x-shockwave-flash allowfullscreen="true"></embed>]]></content>
	</entry>
	<entry>
		<title>Sun - Sunburn</title>
		<link rel="alternate" href="http://backintheday.theurbanmusicscene.com/2008/10/07/sun--sunburn.aspx?ref=rss" />
		<id>tag:backintheday.theurbanmusicscene.com,2008-10-07:1bee8968-cbf0-4771-a71b-96130edf769d</id>
		<author>
			<name>Administration</name>
		</author>
		<category term="Old School Soul" />
		<updated>2008-10-07T15:11:07Z</updated>
		<published>2008-10-07T14:57:00Z</published>
		<content type="html"><![CDATA[<P><FONT size=2><IMG src="http://images.quickblogcast.com/78992-73711/Sun___Sunburn.jpg" width=240 border=0><BR><BR>Back in the seventies everybody was funkin’ from Ohio Players, Confunkshun, Barkays, Heatwave, Lakeside, Shalamar, Slave, Debarge, &amp; Even the Jacksons were getting their groove on. But the thing about the seventies was that you knew when a certain album was going to drop. But every single band waited to drop there album after Earth, Wind and Fire dropped there’s (in case they had to go back into the studio to do new songs to compete with E.W.F). Like cake cutters <EM>(Charles, you know what a cake cutter was (if you can find one they make nice back scratchers) </EM>and elephant bell bottoms coupled with the Isley Brothers fly away collar shirts. Shirts the Isleys brothers wore to “take you to the next phase of the groove they were laying down”, as long as there were platform shoes, you knew when Atlantic Starr dropped a album. Starpoint was right behind, when ConFunkShun dropped a album, Barkays right behind, you get my drift? But there was one band so hot at that time, they named their group after the hottest star in the universe, yes, yes yes. I’m talking about <STRONG>“Sun”!<BR></STRONG>&nbsp;<BR>Led by Beau Ray Fleming, M.I.T graduate, yes M.I.T and his partner Byron F. Byrd, they laid down some of the funkiest jams to date. As they added more members, some members left Sun <EM>(Shawn Sandridge, Chris Jones, and Dean Hummons</EM> <EM>and formed Dayton). </EM>Sun’s first album “Live On, Dream On” was a mediocre success but the third album yielded “Conscious”, you couldn’t go down the hallway at school and not hear that song, at parties when that song came on it was on, (and the album was a clear gold) by that time I was a sophomore in high school, and Slave had just released “Slide”. And I was sliding all over the place. I had a small afro in high school, but when my dad finished blow drying it, I look like Tito Jackson, and yes I was sporting cloths from the New Flagg Brothers Catalog that my dad used to get In the mail, topped off with a Members Only Jacket, the only jacket that can get you a girl or into the club <EM>(cause everybody thought those jackets were so expensive, people thought you had money (I was working at burger king) </EM>1978 Sun released <STRONG>Sunburn</STRONG> with 3 fine models on the cover.</FONT></P>
<P><FONT size=2>The first jam off this monumental album was <EM>“Sun Is Here” </EM>with that bass and drum syncopation, the bassline just repeats through the whole song, with minimal chord changes. You could work up a sweat with this song and continued to work up a sweat as the next song played <EM>“Dance Do What You Wanna”</EM> was a two-steppers song, with it’s basic beat and searing bass line, it was one of those songs you can sing along to. By the end of side one of this album, your shirt is sticking to your back with that sweat stain in the middle, and your blown-out afro was down to a natural fro. So you had to go outside to dry off <EM>(praying the wind was blowing).</EM></FONT></P>
<P><FONT size=2>Side two started off with 6 minutes of funk on <EM>“Long Drawn Out Thang”</EM> and if your old school you know what <STRONG>Sun </STRONG>talking about, now it’s time for the blue lights in the basement, and you got your girl up against the wall&nbsp;to Suns song <EM>“I Had A Choice”,</EM> which was the slow jam of the year.</FONT></P>
<P><FONT size=2>I was driving my dads 1978/79 Oldsmobile cutlass salon with the captains seats, at that time I was rolling on 16’s, with the three piece wire wheels, and a eight track player <EM>(quickly changed that to a Kenwood cassette player with 4-ways in the back and 60 watt speakers in the front, no amp just pure natural sound.)</EM></FONT></P>
<P><FONT size=2>From platform shoes and bell-bottoms to the red light house parties on Saturday night, there was plenty of funk to go around, but it was that Sun album that set the party off from the first line;</FONT></P>
<P><FONT size=2><EM>“You come in numbers, to feel a groove, the groove to make ya act a fool, the night feels funky <BR>Your sun is here” </EM>and that’s what we did! Came in numbers, acted a fool and got funky all in one night. Then we went to Taco Bell because at a house party, ain’t nobody serving food.</FONT></P>
<P><FONT size=2>And I know for a fact that Charles still has his platform shoes and Members Only jacket, and still wears them with his creased blue jeans and apple hat.</FONT></P>
<P><FONT size=2>You can find this classic funk cd at </FONT><A href="http://www.dustygroove.com/" target=_blank><U><FONT color=#0000ff size=2>www.dustygroove.com</FONT></U></A> <BR><BR>Marv D.<BR>The Urban Music Scene</P>]]></content>
	</entry>
	<entry>
		<title>Michael Jackson - Off The Wall</title>
		<link rel="alternate" href="http://backintheday.theurbanmusicscene.com/2008/09/26/michael-jackson--off-the-wall.aspx?ref=rss" />
		<id>tag:backintheday.theurbanmusicscene.com,2008-09-26:9cc3a998-bba3-4770-aec9-bb637d1a2eb3</id>
		<author>
			<name>Administration</name>
		</author>
		<category term="Old School Soul" />
		<updated>2008-09-26T20:02:36Z</updated>
		<published>2008-09-26T05:13:00Z</published>
		<content type="html"><![CDATA[<DIV><FONT face=Arial color=#0000ff size=2>
<P><IMG style="WIDTH: 230px; HEIGHT: 228px" height=185 src="http://images.quickblogcast.com/78992-73711/Off_The_Wall.gif" width=144 border=0>&nbsp;</P>
<P><FONT face=Verdana><SPAN style="COLOR: #2c2b2a">We can’t entertain memories of Ol’ School without giving some love to the real <STRONG>Michael Jackson</STRONG>. Not the alleged child molesting, white Mike, but the chocolate, wide nose, afro havin’ Mike! He started his career as a nine year old in 1970, by the time he was in his late teens he was carrying the Jackson 5. Michael met a well known producer on the set of <EM>"The Wiz"</EM> in 1979, and joined Epic records which gave him more freedom and creativity. With the help of Quincy Jones the album <STRONG>"Off the Wall" </STRONG>was born.<BR><BR><BR></SPAN></FONT></P>
<DIV><EMBED src=http://www.dailymotion.com/swf/k4iVfrs206mFBLemOW&amp;related=1 width=420 height=307 type=application/x-shockwave-flash allowFullScreen="true" allowScriptAccess="always"></EMBED><BR><B><A href="http://www.dailymotion.com/video/x21e7y_michael-jackson-dont-stop-til-you-g_music">MICHAEL JACKSON - DON'T STOP TIL YOU GET ENOUGH</A></B><BR><I>Uploaded by <A href="http://www.dailymotion.com/hushhush112">hushhush112</A></I><SPAN style="COLOR: #2c2b2a"><FONT face=Verdana><BR><BR>The album starts with<STRONG> "Don’t Stop til You Get Enough" </STRONG>written and performed by Michael. This was a very good intro to the album with a great melody with cowbells and glass bottles to lead the percussion.</FONT> </SPAN></DIV>
<P><SPAN style="COLOR: #2c2b2a"><FONT face=Verdana>Next up <STRONG>"Rock With You" </STRONG>one of the songs that will be put in the ol' School Hall of Fame for one of Michaels greatest. This song was written by Rod Temperton of Heatwave. This groove is smooth enough to play for grandma and rockin' enough for the club.</FONT> </SPAN></P>
<P><SPAN style="COLOR: #2c2b2a"><FONT face=Verdana><STRONG>"Working Day and Night"</STRONG> is an upbeat jam that you can’t help not to do a spin, kick your leg up and moonwalk. This song was written by the Brothers Johnson, and has a strong baseline added to the mix. <STRONG>"Off the Wall"</STRONG> the title track, and one of four titles on this album to have number one singles. Rob Temperton also wrote this song, and other notable names assisting on this song are George Duke and Gary Grant. That says it all when a teenage kid can draw this kind of fire power.</FONT></SPAN></P>
<P></P>
<P><SPAN style="COLOR: #2c2b2a"><FONT face=Verdana><STRONG>"Girlfriend" </STRONG>is a slow jam that shows Michaels sensitive side. He sings about a persuading a girl to tell her boyfriend that she wants to be his. Look at ol’ School Mike -&nbsp;He had a little Mac in him. Paul McCartney assisted on the writing of this song.</FONT></SPAN></P>
<P><SPAN style="COLOR: #2c2b2a"><FONT face=Verdana><STRONG>"She’s out of My Life"</STRONG> was a song from the vault of Quincy Jones. He was saving this one for someone special and Michael fit the bill. This song was done with a lot of feeling, as if it was sung with some experience.</FONT> </SPAN></P>
<P><SPAN style="COLOR: #2c2b2a"><FONT face=Verdana><STRONG>"I Can’t Help It" </STRONG>and <STRONG>"It’s the Falling in Love" </STRONG>are pop songs that have a lot of repetitive lyrics and are the weakest songs on the album. <STRONG>"Burn the Disco Out" </STRONG>is the last track and it’s upbeat and R&amp;B song with lot of rhythm, this will get you out on the floor.</FONT> </SPAN></P>
<P></P>
<P><SPAN style="COLOR: #2c2b2a"><FONT face=Verdana>This album is the ultimate classic for anyone’s collection. It might not be as good as <EM>"Thriller"; </EM>however this is Michael Jackson’s first album with Epic records.<BR><SPAN style="COLOR: #2c2b2a"><BR>D'Mo<BR>The Urban Music Scene</SPAN></FONT></SPAN></P></FONT></DIV>]]></content>
	</entry>
	<entry>
		<title>Shanice Wilson - Discovery</title>
		<link rel="alternate" href="http://backintheday.theurbanmusicscene.com/2008/09/13/shanice-wilson--discovery.aspx?ref=rss" />
		<id>tag:backintheday.theurbanmusicscene.com,2008-09-13:35f7c198-de9e-4b16-b75c-068fd5b1e36a</id>
		<author>
			<name>Administration</name>
		</author>
		<category term="Rhythm and Blues" />
		<updated>2008-09-16T22:09:55Z</updated>
		<published>2008-09-13T09:29:00Z</published>
		<content type="html"><![CDATA[<FONT size=2><IMG style="WIDTH: 331px; HEIGHT: 280px" height=368 src="http://images.quickblogcast.com/78992-73711/Shanice___Discovery.jpg" width=600 border=0><BR><BR>The <STRONG>"Discovery" </STRONG>of singing sensation <STRONG>Shanice Wilson </STRONG>fell across my reminisce of 1987 in a big way! Her debut album was ultimately one of many records that got massive spins on my turntable back then, much earlier than her jam <EM>"I Love Your Smile". </EM>I loved every track on it. It grooved, it mellowed, it chilled, it soothed, &amp; it brought the reflection of Shanice's powerful voice. This songbird did more than just explode into the R&amp;B world, but also set into motion many more projects down the road. <BR><BR>And it also brought to light another producer who came with a grooveline much stronger than his own solo album as a singer - <EM>Bryan Loren.</EM></FONT><BR><BR><FONT size=2><STRONG><EM><U>Track Listing - </U></EM></STRONG><BR></FONT><FONT size=2><STRONG><EM>~ I Think I Love You<BR>~ No 1/2 Steppin'<BR>~ (Baby Tell Me) Can You Dance<BR>~ Spend Some Time With Me<BR>~ He's So Cute<BR>~ I'll Bet She's Got A Boyfriend<BR>~ Do I Know You<BR>~ Just A Game<BR>~ The Way You Love Me<BR><BR>1987 A&amp;M Records, Inc.<BR><BR><EMBED src=http://www.youtube.com/v/x97aSuscGro&amp;hl=en&amp;fs=1 width=425 height=344 type=application/x-shockwave-flash allowfullscreen="true"></EMBED><BR><BR></EM></STRONG>If I remember correctly, but i could be wrong, <EM>"No 1/2 Steppin" <FONT size=1>(see video above)</FONT> </EM>came out of the gate swinging, with a mid-tempo'd, harmonic pace making for the head bop to go into full effect!; <EM>"(Baby Tell Me) Can You Dance" </EM>kept the flow moving, showcasing the exquisite R&amp;B style &amp; pure talents of Bryan Loren. He seems to tear into&nbsp;a little bit of sounds &amp; reflections to some earlier Prince productions. Some soft, but a little hard nosed beats &amp; grooves locked into place with Shanice's sensitive voice projecting the music - the composition.<BR><BR>I jammed the heck out of <EM>"I'll Bet She's Got A Boyfriend"! </EM>The beats &amp; melody was catchy &amp; hard to miss! It almost sounded like a young ladies poetry song, harping on a youthful memory of going to school &amp; talking about who was with who, - and the competition. Shanice simply suggested to the young man at heart that she was the better choice than the other.; The same goes with <EM>"He's So Cute"....</EM>you can't help to think about those days back in the 80's - the innocence.<BR><BR>Shanice's vocal strength gains momentum when she slips into the slow compositions. Slow songs like <EM>"Do I Know You", "Just A Game" </EM>&amp; one of the best slow songs I ever heard her sing, <EM>"The Way You Love Me". </EM>In fact, I added that gem to my slow jam mixtapes back in the day. The way this song was composed was absolutely beautiful. From the production straight down to the lyrics. I would have to also vouch for <EM>"Do I Know You"</EM> as well. <BR><BR>This album brings back a whole lot of memories. It also enlightened how vocally blessed <STRONG>Shanice Wilson </STRONG>is. I hope she's still recording music, because when she drops it, you'll <EM>feel it</EM>!<BR><BR>T<BR>The Urban Music Scene</FONT> <BR><BR>And we found the video song you were talking about Brother....<EM>"The Way You Love Me"!!<BR></EM><BR><EMBED src=http://www.youtube.com/v/OkqZJzdNCRM&amp;hl=en&amp;fs=1 width=425 height=344 type=application/x-shockwave-flash allowfullscreen="true"></EMBED>]]></content>
	</entry>
	<entry>
		<title>Anita Baker - The Songstress</title>
		<link rel="alternate" href="http://backintheday.theurbanmusicscene.com/2008/09/03/anita-baker--the-songstress.aspx?ref=rss" />
		<id>tag:backintheday.theurbanmusicscene.com,2008-09-03:ca21b554-e94d-4b47-be26-7a8017a198aa</id>
		<author>
			<name>Administration</name>
		</author>
		<category term="Rhythm and Blues" />
		<updated>2008-09-03T18:30:09Z</updated>
		<published>2008-09-03T17:51:00Z</published>
		<content type="html"><![CDATA[<FONT size=2><IMG style="WIDTH: 268px" height=257 src="http://images.quickblogcast.com/78992-73711/Anita_Baker___The_Songstress.jpg" width=240 border=0><BR><BR>Man Oh Man. Uh...Uh...Uh.<BR><BR>You can talk all about the <EM>"Rapture"</EM> album you want. Even in the days with her hook-up to group <EM>Chapter 8 (I Just Want To Be Your Girl)</EM>. But I beg to differ. When it comes down to <STRONG>Anita Baker's</STRONG> best album, I will have to go with<STRONG> "The Songstress".</STRONG> For one, it's a slow jammer's record with a few perks to help steer you into the direction of candles &amp; lights dimmed at low altitude. Then, the total, uncompromised words &amp; phrases that can easily be adapted for the midnight action. You know what I am talking about.<BR><BR>Anita is awesome. She received some slack for not being a singer's singer, but in my thoughts, she is. No matter what. And this album from 1983 on Beverly Glen Music Records is a classic. <BR><BR>You can't help but sit back, relax &amp;&nbsp;listen to her low toned vocals&nbsp;in <EM>"No More Tears",</EM> as you pay strict attention to the lyrics &amp; reflect while a glass of wine is in hand. And then <EM>"Sometimes" </EM>will gently remind you of lifes hurdles. The ups &amp; the downs. 'Sometimes' things may go your way, or may not. Anita gracefully describes those moments &amp; passes on a sentimental shrug to hold on &amp; stay strong. Try harder. <BR><BR><EM>"Will You Be Mine" </EM>was one of my all-time personal slow jam, mixtape tracks. It HAD to be on the tape. I also had it feed back on my Teac reel-to-reel. Remember the Reel-to-Reel? I used to record hours upon hours of my personal fav's on that mug. Now the teac is broken, hanging out in the garage. Huh. I'm not giving that up for nobody. Broken or not, its still considered a memoir of sorts or a monumental piece of the Sherard Family keepsake. You all better hang on to those record players, 8 track systems, reel-to-reel players if you still got 'em. You never know. You might run into a skillful technician, who just might create some sort of magic for you &amp; have the component rollin' again. My 8-track still plays.<BR><BR><IMG style="WIDTH: 223px" height=213 src="http://images.quickblogcast.com/78992-73711/Anita_Baker___The_Songstress_(original).jpg" width=200 border=0><BR></FONT><FONT size=1><EM>(original Lp cover)<BR></EM></FONT><BR><FONT size=2>Ok, going back to <EM>"Will You Be Mine". </EM>Just because I gave the track some love doesn't mean one of you new school, new generational singers should cover or touch it. Please leave this song alone as it is. Let it stand precious for the test of time. I guarantee, with the holidays coming up, you'll be looking for this one, as well as some independent black radio stations out there still playing back those golden old school slow joints. They'll be looking for this one. If not, now they know!<BR><BR>Other songs on the LP included "Do You Believe Me", "Angel" (Another classic that breezes &amp; opens the curtains, if you know what I mean.), "You're The Best Thing Yet", "Squeeze Me", &amp; "Feel The Need".<BR><BR>The LP glides both sides of upbeat &amp; slow music, but what is more appealing is Anita's high quality of love compositions. Compositions well written &amp; intact with both the old &amp; new generations. How wonder she is so talented &amp; blessed. <BR><BR>Available now at <A href="http://www.amazon.com/Songstress-Anita-Baker/dp/B000002H9D">Amazon!<BR></A><BR>Peace,<BR>Charles F. Sherard<BR>The Urban Music Scene<BR></FONT><BR><BR><BR>]]></content>
	</entry>
	<entry>
		<title>The S.O.S. Band - Just The Way You Like It</title>
		<link rel="alternate" href="http://backintheday.theurbanmusicscene.com/2008/08/18/the-sos-band--just-the-way-you-like-it.aspx?ref=rss" />
		<id>tag:backintheday.theurbanmusicscene.com,2008-08-18:3e44de83-09af-4fdc-9ec0-132c1025e182</id>
		<author>
			<name>Administration</name>
		</author>
		<category term="Rhythm and Blues" />
		<updated>2008-09-14T07:44:55Z</updated>
		<published>2008-08-18T17:42:00Z</published>
		<content type="html"><![CDATA[<FONT size=2><IMG style="WIDTH: 321px; HEIGHT: 255px" height=356 src="http://images.quickblogcast.com/78992-73711/The_SOS_Band.jpg" width=550 border=0><BR><BR>I can't get enough of this.<BR><BR>The <EM>'Sounds Of Success'.</EM> To be frank, this band help concluded a time&nbsp;when R&amp;B jammed at its very best in the mid 80's. The groups, singers, vocalists, rappers, dancers, art forms, lifestyle was legit. <STRONG>The S.O.S. Band </STRONG>satisfied every reason why you should go for an afternoon cruise, take a walk down the blvd to get some ice cream or go holla at your homeys, sit outside on the porch with a glass of ice tea, chill on the basketball court &amp; yell 'I got next', and so on. I miss all of that. Its the main reason why I keep lifting these albums back for The Urban Music Scene. <BR><BR><STRONG><EM>"Just The Way You Like It" </EM></STRONG>said it all by itself. It spoke on my behalf actually. I liked it back when things were just a little bit simpler. Not regretting todays scene, but yesterday - in means of over 25 years ago, music made you move &amp; think. It made you dance. It made you turn on the radio. Forget the cassette. &nbsp;It made you appreciate the clubs &amp; the ladies who had class. It made me pull out the ironing board &amp; get my slacks prepared for the ultimate crease. In a matter of fact, I paid more attention to clothes back then as compared to these stretches of jeans &amp; long-sleeved shirts being worn outside your pants. Pants hanging down from the waistside. My Momma, if she was alive today, would have corrected that with a simple stare. Thats' all it took.<BR><BR>Enough of my ranting. This album has to be the best&nbsp;The SOS has ever put out. It should be Jimmy Jam &amp; Terry Lewis's best work to date. And the album only had 7 songs on it. Go figure.<BR><BR><STRONG><EM>Track Listing:<BR></EM>~ No One's Gonna Love You<BR>~ Weekend Girl<BR>~ Just The Way You Like It<BR>~ Break Up<BR>~ Feeling<BR>~ I Don't Want Nobody Else<BR>~ Body Break</STRONG><BR><BR>Every weekend that came up,<EM> <STRONG>"Weekend Girl" </STRONG></EM>was the first song repeated endlessly. I must have broken my cassette recorder over pressing rewind too much. My lady &amp; I kicked it to this cut with a bottle of Boone's Farm. And if I still had the chance to chop it up with girl again, I'll run to the store to do it all over again. You can't tell me the way Lead singer Mary Davis lushessly spills her genuine vocal touch over that kick behind melody chorus hook didn't snatch you off the couch. Please!<BR><BR><EMBED src=http://www.youtube.com/v/oDM_VRElgDQ&amp;hl=en&amp;fs=1 width=425 height=344 type=application/x-shockwave-flash allowfullscreen="true"></EMBED><BR></FONT><BR><FONT size=2><STRONG><EM>"No One's Gonna Love You" </EM></STRONG>was so mesmerizing, I had to have broken my cassette recorder. I don't believe any group today can resample this classic &amp; not get told "you should've left that song alone!" Man, then to let the record surge into <STRONG><EM>"Just The Way You Like It"</EM></STRONG>&nbsp; should've been every reason why you should've gotten up &amp; go to the BX, Kmart, whatever &amp; buy it. <BR><BR>We didn't have those 4x or 10x high speed CD burners back then. Do you remember how long it took to high speed dub a cassette to another? Man it took forever. I could go cook something to eat, come back &amp; it STILL wasn't complete.<BR><BR>Side B couldn't touch Side A. And I STILL thought this was the best album The SOS had put together. Over time, I eventually bought the MP3's, the greatest hits and so forth. But if there was a cheaper way to get this album on cassette or vinyl, I'd rather have that. No recommendation is required. You should already know about it.<BR><BR>Peace,<BR>Charles F. Sherard<BR>The Urban Music Scene<BR><BR><BR></FONT><BR><BR><BR>]]></content>
	</entry>
	<entry>
		<title>O'Bryan - Surrender</title>
		<link rel="alternate" href="http://backintheday.theurbanmusicscene.com/2008/08/02/obryan--surrender.aspx?ref=rss" />
		<id>tag:backintheday.theurbanmusicscene.com,2008-08-02:cfcbeae0-7aa8-4596-a9be-5413002a6dfd</id>
		<author>
			<name>Administration</name>
		</author>
		<category term="Rhythm and Blues" />
		<updated>2008-09-14T07:46:20Z</updated>
		<published>2008-08-02T14:39:00Z</published>
		<content type="html"><![CDATA[<IMG style="WIDTH: 277px; HEIGHT: 222px" height=264 src="http://images.quickblogcast.com/78992-73711/Obryan___Surrender_2.jpg" width=640 border=0><BR><BR><FONT size=2>Do I have to get into any memory of super R&amp;B crooning sensation of the&nbsp;early-mid 80's player <STRONG>O'Bryan?</STRONG> Do I have to remind y'all of the Soul Train theme song he broke out on all of y'all the minute you turned your TV sets on? </FONT><EM><FONT size=2>(For some of you...y'all had those antenna ears poppin' up off the TV or something that look dang near like a satellite dish networking system on top of your homes. I'm not jokin'.)</FONT><BR></EM><BR><FONT size=2><STRONG><EM><U>Track Listing:</U><BR>~ Tenderoni<BR>~ You Have Got To Come To Me<BR>~ Driving Force<BR>~ Is This For Real<BR>~ Surrender<BR>~ What Goes Around<BR>~ Maria<BR>~&nbsp;Dreamin' About You<BR><BR></EM></STRONG>All so exquisite &amp; fresh. My main man came with enough contemporary R&amp;B ballads to set the world spinnin out of control, especially with <EM>"The Gigolo".</EM> Yes. And then that Soul Train classic I just shared. And I made fun of the Gerry, oops I mean, The California Curl with Midnight Star. Take a look at that photo of his album above &amp; see for yourselves. He wasn't too far off from a bottle of activator neither.<BR><BR>But nevertheless in 1986, who could ever forget about<STRONG><EM> "Tenderoni"?</EM></STRONG> Man, I loved that jam! When Capital Records deployed shipment of this release, I caught a copy right when it was on the end cap at the BX. If you were in the military &amp; bought records from the BX, then you may still have that noticeable white sticker still stamped right on some of those LP's we bought back then <EM>(Man, That's where I bought all of my stereo equipment too. And if you were stationed overseas, the selection was enormous &amp; cheap! Fry's, Best Buy &amp; Circuit City couldn't touch it.)<BR><BR></EM>I remembered<STRONG><EM> "You Have Got To Come To Me" </EM></STRONG>vividly, like its staring me in my face. The picnic's at the park &amp; the long walks with my fiance, now wife brings back treasured memories of an otherwise, expectant slow jam from O'Bryan. But the cut I wanted everyone to pick up on was&nbsp;song <STRONG>"What Goes Around". </STRONG>Those electronic cowbells symbolize the freedom of 80's music, Big Time! Get the video out T.U.M.S.!<BR><BR>On the Playback &amp; I got some more stuff comin'.<BR>Brother Charles F. Sherard<BR>The Urban Music Scene<BR><BR>Charles, you know we got your back! We couldn't find <EM>"What Goes Around",</EM> but we know you will appreciate this! It's <EM>"Tenderoni" </EM>y'all on The Urban Music Scene, courtesy of YouTube!<BR><BR></FONT><EMBED src=http://www.youtube.com/v/WTEe2OgslbE&amp;hl=en&amp;fs=1 width=425 height=344 type=application/x-shockwave-flash allowfullscreen="true"></EMBED>]]></content>
	</entry>
	<entry>
		<title>Guy</title>
		<link rel="alternate" href="http://backintheday.theurbanmusicscene.com/2008/07/22/guy.aspx?ref=rss" />
		<id>tag:backintheday.theurbanmusicscene.com,2008-07-22:c4fbeee9-e6e4-4fd0-b21b-880b6673ec59</id>
		<author>
			<name>Administration</name>
		</author>
		<category term="Rhythm and Blues" />
		<updated>2008-09-14T07:47:17Z</updated>
		<published>2008-07-22T17:46:00Z</published>
		<content type="html"><![CDATA[<FONT size=2><STRONG><U><IMG style="WIDTH: 253px" height=250 src="http://images.quickblogcast.com/78992-73711/Guy.jpg" width=240 border=0><BR><BR></U></STRONG>The complete signature album dropped on all of y'all instantly from the brainchild of the New Jack Swing - Teddy Riley. And with his protocol to solid music, he drafted the brotherly talents of Aaron &amp; Damian Hall to form <STRONG>Guy.</STRONG> One of the hottest, original R&amp;B groups to emerge in the late 80's &amp; flow through the 90's. Together they would release 3 albums, but the best one is the self titled release with the CD cover staring right at you! Bar None &amp; ready for the party, indoors or out, this was a record you could spin on both sides over &amp; over again without getting tired of it! And it made Teddy Riley a prominent fixture in the production dept! It also propelled the quality driven, balladeering magic &amp; comparable pretenses to Gap Band's Charlie Wilson in the vocals of <EM>Aaron Hall</EM>!<BR><BR><STRONG><U>Track Listing:</U></STRONG><BR><STRONG>~ Groove Me<BR>~ Teddy's Jam<BR>~ Don't Clap...Just Dance*<BR>~ You Can Call Me Crazy<BR>~ Piece Of My Love<BR>~ 'Round And Round (Merry Go 'Round Of Love)<BR>~ Spend The Night<BR>~ Goodbye Love<BR>~ My Business<BR><BR></STRONG>The opener <STRONG>"Groove Me"</STRONG> jammed the dance halls within moments notice. What DJ from the 80's (or today) didn't have 2 copies of this 12"? Better yet, 2 copies of the album?; <STRONG>"Teddy's Jam"</STRONG> jammed the box, as Teddy explored the electronic keys &amp; vibed his groove all over it!; <STRONG>"Piece Of My Love" </STRONG>was the ultimate dance floor slow jam. Lights dimmed &amp; tempo chilled, Aaron Hall lifts the track &amp; serenades the cut right into the hearts of the ladies. Without a doubt, Aaron helped a lot of fellas out that evening<EM>...(If you know what I mean.) <BR>
<DIV><BR><EMBED src=http://www.dailymotion.com/swf/x8bni&amp;related=1 width=420 height=336 type=application/x-shockwave-flash allowFullScreen="true" allowScriptAccess="always"></EMBED><BR><B><A href="http://www.dailymotion.com/video/x8bni_guy-teddys-jam-2_music">GUY - Teddy's Jam 2 </A></B><BR><I>Uploaded by <A href="http://www.dailymotion.com/jamz_flava">jamz_flava</A><BR></I></EM><BR><STRONG>"I Like"</STRONG> kicks open the door to Side B &amp; the groove comes right back at cha'! The New Jack Swing in full motion! The melody is captivating!; The production mastermind carrying on the swing, Teddy drops <STRONG>"Spend The Night" &amp; "Goodbye Love"</STRONG> back to back, keeping with the hypnotic touch of R&amp;B. But thereafter, another slow approach highlights Aaron Halls <STRONG>"Goodbye Love" </STRONG>&amp; the lyrics stimulates a sense of reality from a breakup in a close relationship. Do y'all remember that one?<BR><BR>MCA Records gave y'all this package with a silver liner back in 1988. Back then it was believed the group had another singer other than Damian &amp; that singer's photo is still gracing the front &amp; back cover of the LP. Do y'all remember who it was? Also I believe a partnership by Teddy Riley &amp; Gene Griffin had broken up on a sour note &amp; the rest became history. Teddy took control of his career, the group, &amp; later became an icon in the music industry. He has produced so many #1 hits, I wouldn't have enough time in this review to list them. Also, word has it, Teddy is rumored to be coming back to the game from a long hiatus! If that is so, there couldn't have been a better time!<BR><BR>The question is, Is he coming back by himself, or to do another album with <STRONG>"Guy"!!?? (IV)</STRONG><BR><BR><EM>Lifting&nbsp;the needle back to <STRONG>"I Like"...</STRONG><BR></EM>T<BR>The Urban Music Scene</FONT></DIV>]]></content>
	</entry>
	<entry>
		<title>New Jack City - Original Movie Soundtrack</title>
		<link rel="alternate" href="http://backintheday.theurbanmusicscene.com/2008/07/20/new-jack-city--original-movie-soundtrack.aspx?ref=rss" />
		<id>tag:backintheday.theurbanmusicscene.com,2008-07-20:1faaf2d9-d867-437b-81e1-ab96b49b54ff</id>
		<author>
			<name>Administration</name>
		</author>
		<category term="soundtracks" />
		<updated>2008-09-14T07:48:11Z</updated>
		<published>2008-07-20T10:32:00Z</published>
		<content type="html"><![CDATA[<FONT size=2><IMG style="WIDTH: 207px; HEIGHT: 202px" height=185 src="http://images.quickblogcast.com/78992-73711/New_Jack.jpg" width=170 border=0><BR><BR>In 1991, Giant Records complemented a movie with a message in New Jack City. Do any of you remember this movie? How about the score? Just as fine &amp; well casted the movie production gave, was just as fine of a line-up the soundtrack came with. You had Christopher Williams, Troop/Levert, Guy, Keith Sweat &amp; a host of talented singers on one album. To say the least, with all of that talent, you would think this should have won lots of awards right? Maybe. Maybe not. But some of the music actually touched on the very social issue the production team went after. <BR><BR><STRONG><U>Track Listing:</U></STRONG><BR><STRONG>~ New Jack Hustler/Ice T<BR>~ I'm Dreamin'/Christopher Williams<BR>~ New Jack City/Guy<BR>~ I'm Still Waiting/Johnny Gill<BR>~ (There You Go) Tellin' Me No Again/Keith Sweat<BR>~ Facts Of Life/Danny Madden<BR>~ For The Love Of Money-Living For The City (Medley)/Troop/Levert feat. rap by Queen Latifah<BR>~ I Wanna Sex You Up/Color Me Badd<BR>~ Lyrics To The Rhythm/Essence<BR>~ Get It Together (Black Is A Force)/F.S. Effect<BR>~ In The Dust/2 Live Crew</STRONG></FONT><BR><BR><FONT size=2>And those issues dealt with the heart &amp; soul, as well as making right decisions. Take Ice T's<STRONG> "New Jack Hustler".</STRONG> The lyrics explained it in great detail. Of how to make it big illegally.&nbsp;In speaking about the heart &amp; soul, Christopher Williams <STRONG>"I'm Dreamin'" </STRONG>had set a different tone. His seductive voice pushed the song into a different dimension &amp; possibly catapulted his career into mainstream status. Teddy Riley's R&amp;B group Guy jammed <STRONG>"New Jack City"</STRONG> &amp; Color Me Badds <STRONG>'Sex You Up"</STRONG> grabbed the #1 hit for that time period. I do believe it was the only hit they had, although I didn't care too much for that song.<BR><BR><EMBED src=http://www.youtube.com/v/A2wsqS02Wvg&amp;hl=en&amp;fs=1 width=425 height=344 type=application/x-shockwave-flash allowfullscreen="true"></EMBED><BR><BR></FONT><FONT size=2>My favorites was Johnny Gill's quiet storming <STRONG>"I'm Still Waiting"</STRONG> <EM>(special note to the T.U.M.S. team, where is Johnny Gill?) &amp;</EM><STRONG> "Facts Of Life"</STRONG> from Danny Madden. <BR></FONT><BR><FONT size=2>Keith Sweat does what he does best in <STRONG>"(There You Go) Tellin' Me No Again", </STRONG>as urban as the slow jam could ever be &amp; the team-up of R&amp;B boy group Troop with the masters of the love song, Levert, to <STRONG>"For The Love Of Money-Living For The City" </STRONG>was on hit.</FONT> <BR><BR><FONT size=2>I didn't care too much for the remaining number of songs &amp; the use of explicit lyrics. I thought the 2 Live Crew track was quite tasteless, in my opinion. There was too many great songs that didn't require profanity. It may have overshadowed the entire soundtrack.&nbsp;I would just download my favs in to the ipod for the go. But for justice, this soundtrack was decent enough to carry out, compliment the movie. The movie, however, is instantly within arms reach whenever I feel the need to flash back for a moment. Its too funny (or not), the theme for the movie still relates to our community struggles with drugs &amp; gangs. When you get a chance, go back &amp; see the movie again. If you haven't seen it before, look for it at blockbuster or a movie rental store near you. Its destined to be a classic, considering many of the stars <STRONG>(Wesley Snipes, Ice T, Mario Van Peebles, Chris Rock, Judd Nelson) </STRONG>who acted in the movie have blossomed in their careers, respectively.<BR><BR>Peace,<BR>Charles F. Sherard<BR>The Urban Music Scene</FONT><BR><BR>]]></content>
	</entry>
	<entry>
		<title>Bert Robinson - No More Cold Nights</title>
		<link rel="alternate" href="http://backintheday.theurbanmusicscene.com/2008/07/06/bert-robinson--no-more-cold-nights.aspx?ref=rss" />
		<id>tag:backintheday.theurbanmusicscene.com,2008-07-06:4dc7af1d-1467-43cb-aec8-b254738e1e9f</id>
		<author>
			<name>Administration</name>
		</author>
		<category term="Rhythm and Blues" />
		<updated>2008-09-14T07:49:08Z</updated>
		<published>2008-07-06T19:55:00Z</published>
		<content type="html"><![CDATA[<IMG src="http://images.quickblogcast.com/78992-73711/Bert_Robinson.jpg" width=240 border=0><BR><BR><FONT size=2>The elegant &amp; seductive balladeer from the mid 80's came suited up for the pleasure of pleasing his lady of choice. His voice so serious, it brought about the comparisons of Teddy Pendergrass &amp; other powerfully willed crooners to grace the contemporary R&amp;B scene of the 80's. Especially when you put Freddie Jackson, Howard Hewett, Kashif, Miles Jaye, Jeffrey Osbourne, Eugene Wilde, Glenn Jones &amp; Gerald Alston into that equation. And if there was other names that needed to be mentioned, I would just get the discussion started about the crooners of the 80's. The great ones at that!<BR><BR>But Bert Robinson had a sound. After his debut <STRONG>"I Promise You Love" </STRONG>featuring the same producer for Vesta Williams in Attala Zane Giles, Bert broke loose with a top 5 R&amp;B hit in <STRONG>"Heart Of Gold". </STRONG>And for a moment, I thought Bert was about to raise the bar for the status of becoming one of the top crooners of R&amp;B.</FONT><BR><BR><FONT size=2><STRONG><U>Track Listing:</U><BR>~ Heart Of Gold<BR>~ Won't You Be My Lady<BR>~ Just A Little Love<BR>~ Never Gonna Give You Up<BR>~ Tough Enough<BR>~ No More Cold Nights<BR>~ You Turn Me Out<BR>~ Just Begun To Know You<BR>~ Burning Inside Your Love<BR>~ Still Waiting<BR><BR></STRONG>Seriously, Capital Records dropped this for the midnight all nighters back in 1987 &amp; the rest was history! With help from Stan Sheppard, Al Hudson, Irene Perkins, Nick Johnson, Attala &amp; Billy Osbourne for his production dept, the listener was treated to an earful of soulful, nightlite slow ballads &amp; mid-tempod 'in the central park' themed serenades. <BR><BR>After <STRONG>"Heart Of Gold" </STRONG>came, <STRONG>"You Turned Me Out" </STRONG>featuring producers Lionel Job &amp; Preston Glass followed suit. Just as you would remember how the 80's gathered your attention for releasing top notch slow melodies (where is it today in 2008?), Bert distinguished himself like another<EM> Dennis Edwards's "Don't Look Any Further".</EM> Yes, it can draw a comparison.<BR><BR><STRONG>"Still Waiting" </STRONG>was one of those compositions that sits on your mind. The harmony &amp; melody attracts every detection of Bert laying out his baritone, powerfully projective voice. It sends the meaning of a man very well in love with his ability to transfer his emotions artistically &amp; sensually by voice. The lasting impression on the lady he crooned it to may suggest a moment of thought. She should know its all about the romance!<BR><BR>Bert Robinson, however disappeared. Whereabouts unknown. For the sake of the review, I would love to know if he's still performing anywhere. If y'all know something, please drop a comment into this article.<BR><BR>For now, I'm holding on to the sweet memory of Bert's <STRONG>"Heart Of Gold".</STRONG> And if you can get a connection upon where you can get a great deal for purchase, &amp; if you are one those like myself that chilled out in the 80s with some of the talents mentioned above, please do yourself a favor &amp; seek this one out. Its good music &amp; its something that can be played back today!<BR><BR>In fact, RIGHT NOW!<BR><BR>T<BR>The Urban Music Scene<BR><BR>Here's the Flashback hit of 1987 from Bert Robinson in "Heart Of Gold"!!<BR><BR></FONT><EMBED src=http://www.youtube.com/v/pSY73o396QQ&amp;hl=en&amp;fs=1 width=425 height=344 type=application/x-shockwave-flash allowfullscreen="true"></EMBED>]]></content>
	</entry>
	<entry>
		<title>Vesta Williams - 4U</title>
		<link rel="alternate" href="http://backintheday.theurbanmusicscene.com/2008/06/30/vesta-williams--4u.aspx?ref=rss" />
		<id>tag:backintheday.theurbanmusicscene.com,2008-06-30:79163c1f-7fe0-4ea4-bafe-6614555d7529</id>
		<author>
			<name>Administration</name>
		</author>
		<category term="Rhythm and Blues" />
		<updated>2008-09-14T07:49:55Z</updated>
		<published>2008-06-30T07:42:00Z</published>
		<content type="html"><![CDATA[<DIV><IMG src="http://images.quickblogcast.com/78992-73711/Vesta.jpg" width=199 border=0><BR><BR><FONT size=2>One of the nicest, outspoken&nbsp;people in the world is tapped for the special section of T.U.M.S. &amp; she deserves it. The album released from A&amp;M Records in 1988, <STRONG>"4U" </STRONG>was a monumental project by all means. Vesta brings all her cards to the table &amp; had launched a significant place into R&amp;B when she came out with articulate material that generated mainstream interest for the fan at heart. From the 1st track on, you couldn't help but to sit back &amp; listen to the creativity Vesta &amp; producer Attala Zane Giles laid out on the floor. Especially after catching her short stints on BET back in the day (Remember that?) &amp; displaying her outgoing personality wherever she goes. I'm elated to still see her in the game with her latest project from Shanachie, <STRONG>"Distant Lover"</STRONG> &amp; having her previous collectibles available through various online services. However, <STRONG>"4U"</STRONG> has to be the best album to date. So much so, that I placed her harmonious slow jam, <EM><A href="http://news-releases.theurbanmusicscene.com/2008/06/11/your-top-ten-old-school-slow-jams-track-8.aspx"><EM>"Sweet, Sweet Love" </EM></A>&nbsp;</EM>onto our Top Ten Old School Slow Jams list! Talking about great memories!!<BR><BR><STRONG><U>Track Listing:</U><BR>~ Here/Say<BR>~ All On You<BR>~ 4 U<BR>~ Sweet, Sweet Love<BR>~ How You Feel<BR>~ Best I Ever Had<BR>~ Hunger<BR>~ Congratulations<BR>~ Running Into Memories<BR></STRONG><BR>As soon as the vinyl started spinning, the opening lines to <STRONG>"Here/Say" </STRONG>had me laughing. Because she related a particular issue of cheating on your spouse &amp; ran with it on the composition. As vibrant as she can be!;</FONT> <STRONG>"All On You" </STRONG>kept the eccentric groove going, showcasing the hypnotic talents of Mr. Giles. (producer);<STRONG> "4 U"</STRONG> definitely was the one, as shared to you by video below! Check it out!<BR><BR>Again, <STRONG>"Sweet, Sweet Love",</STRONG> to me, was underrated. I thought that track was the ultimate slow jam. There was something mystic about it. Possibly the video was warm, romantic &amp; expressive. But it could be the way Vesta sang her heart into the track. So beautiful, at times, I can't stop playing it.<BR><BR>Side Two would just make you throw your hands up in the air &amp; say "Bump It". No different from Side one, the melodies matched the flavor of its other side with continuous cuts like <STRONG>"How You Feel", "Best I Ever Had"</STRONG> &amp; the slow jammin' hit single <STRONG>"Congratulations". <BR></STRONG><BR>The songs had displayed an open book of emotions&nbsp;&amp; dabbled with ongoing issues in relationships. Vesta didn't waste anytime sharing her feelings or touch. Which is why when you listen to this album, you are listening to someone who takes her craft very seriously. She is indeed blessed with a remarkable, projective&nbsp;voice &amp; yes....She has it goin' on!! Also, Attala Zane Giles should be recognized for the major effort he gave back to y'all!<BR><BR>Play this one back if you have it.<BR><BR>Terrill J. Hanna<BR>The Urban Music Scene<BR><BR>Here's <STRONG>"4 U"!!</STRONG><BR><BR><BR><EMBED src=http://www.dailymotion.com/swf/x3jjo0&amp;related=1 width=420 height=336 type=application/x-shockwave-flash allowFullScreen="true" allowScriptAccess="always"></EMBED><BR><B><A href="http://www.dailymotion.com/video/x3jjo0_vesta-williams-4u-1988_news">Vesta Williams . 4U .1988</A></B><BR><I>Uploaded by <A href="http://www.dailymotion.com/capitainfunkk">capitainfunkk</A></I></DIV>]]></content>
	</entry>
	<entry>
		<title>Nelson Rangell - Turning Night into Day</title>
		<link rel="alternate" href="http://backintheday.theurbanmusicscene.com/2008/06/14/nelson-rangell--turning-night-into-day.aspx?ref=rss" />
		<id>tag:backintheday.theurbanmusicscene.com,2008-06-29:57c95bc8-2b15-4023-8990-7a2dd9a723ee</id>
		<author>
			<name>Jazzy</name>
		</author>
		<category term="Jazz" />
		<updated>2008-09-14T07:50:28Z</updated>
		<published>2008-06-29T08:33:00Z</published>
		<content type="html"><![CDATA[<IMG src="http://images.quickblogcast.com/78992-73711/nelson_rangell_turning.jpg" width=240 border=0><BR><BR><FONT size=2>Obviously, there is no shortage of sax players in smooth jazz genre. However, Denver, CO native Nelson Rangell dares to differ, as he's one of a few artists that authentically challenges the much needed transformation in diversity as he surpasses his peers with an inimitable voice that’s compelling in spirit. Notably, he humbly accomplished this mission on his 1997 release, “Turning Night into Day” on GRP Records. <BR><BR>“Starting Now,” as the lead cut spins with the excitement of new a beginning, a journey, an expedition that establishes his presence without limits. With his head slightly tilted to the left, he leans back and blows with grace in a voice of an enchanting spirit and style reminisced of a guy named Sanborn.&nbsp; <BR><BR>The down tempo groove of the title track “Turning Night into Day” is captivating in a sense as it echoes with swaying tonality and rhythmic textures are within the context of flawless yet tantalizing beats and the flavor it possesses. Nelson’s pursuit in creating passionate music is persevered by the breathe taking Metheny like composition “The Journey,” features Nelson on “piccolo” and the exceptional Howard Levy on harmonica. <BR><BR>Enclosed within the internal and external variety expressed on first three tracks alone unveils the heart and soul of this artist. Wow, it’s hard to believe it’s been a little over ten years ago and this recording is still significant on this day. Up next, the upbeat sounds of “All For Song,” swings with alternating pulse and radio friendly hooks are bound to keep your head swaying and bopping. What a player, Nelson can make his horn squall with enthusiasm as his enduring qualities without question prevails beyond the genre he resides in. <BR><BR>At the heart of his modest collection is the fabric of genuine music that emphasizes the romantic side of his voice. First up, is the essence of pop ingredients is layered beneath and above the surface on the gorgeous “For The Rest of My Life.” While detained in somewhat of a relaxed mode I found myself suspended by the soulful musings of Nelson’s stimulating horn on “Romantique.” Additionally, the riches of “April Snow” appear and to make it’s reflective statement featuring Nelson on flute. In his own unique way, he draws you into a peaceful place so you may embrace and revere his music on these and other selections. <BR><BR>Now, for those of you who love to jam, will there’s “Godzilla.” Yeah, this track is hot! Rangell handles his business in the funk department on this piece, he calls bassist Mel Brown to reinforce the groove by kicking it into overdrive as it shakes, shimmers and swings like nobodies business! “From Spark to Flame,” compositionally is a little illusive at the beginning as it starts out with strings. However, it quickly turns into a tasty little gem that’s attached with the harmonies and melodies of mid-tempo octaves. And just around the corner is the convincing “All Hearts, One Heart” makes it’s case as being a memorable composition is co-written by Chuck Loeb and Rangell. While still in the mood, the writing duo of Loeb and Rangell pen the bouncy “Today’s Top Story.” <BR><BR>Finally, the gifted Nelson and the gang conclude this mesmerizing journey with a Latin infused composition co-written by keyboardist Michael Bearden and Rangell titled La Repuesta (The Answer). As you can tell, I really adore this project mainly because it contains the core of his persona, voice, style without compromising his integrity as an artist. “Turning Night into Day,” may or not be a defining moment in his career but I find this an attractive album that is creative, sensitive, accessible and deserves repeated listens. <BR><BR><B>Track Listing</B>:<BR><BR>1.&nbsp;&nbsp;&nbsp; Starting Now<BR>2.&nbsp;&nbsp;&nbsp; Turning Night into Day<BR>3.&nbsp;&nbsp;&nbsp; The Journey<BR>4.&nbsp;&nbsp;&nbsp; For The Rest of My Life<BR>5.&nbsp;&nbsp;&nbsp; Romantique<BR>6.&nbsp;&nbsp;&nbsp; Godzilla<BR>7.&nbsp;&nbsp;&nbsp; From Spark to Flame<BR>8.&nbsp;&nbsp;&nbsp; April Snow<BR>9.&nbsp;&nbsp;&nbsp; All Hearts, One Heart<BR>10.&nbsp; Today’s Top Story’<BR>11.&nbsp;&nbsp; La Repuesta (The Answer)<BR><BR>J Desmond<BR>The Urban Music Scene</FONT><BR>]]></content>
		<summary>...</summary>
	</entry>
	<entry>
		<title>Bob James &amp; David Sanborn - Double Vision</title>
		<link rel="alternate" href="http://backintheday.theurbanmusicscene.com/2008/06/24/bob-james--david-sanborn--double-vision.aspx?ref=rss" />
		<id>tag:backintheday.theurbanmusicscene.com,2008-06-24:45b25c63-c230-49cc-a537-54974a0a9b87</id>
		<author>
			<name>Administration</name>
		</author>
		<category term="Jazz" />
		<updated>2008-09-14T07:51:59Z</updated>
		<published>2008-06-24T13:11:00Z</published>
		<content type="html"><![CDATA[<IMG src="http://images.quickblogcast.com/78992-73711/Double_Vision.jpg" width=240 border=0><BR><STRONG><FONT size=1>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;(painting by Eric Blum)</FONT><BR></STRONG><BR><FONT size=2>Undeniably &amp; without question, one of the best contemporary jazz albums ever created&nbsp;has been pulled from the record crates for the induction to our Back In the Day Page! No doubt, this album&nbsp;kicked off festivities when it was released back in 1986. And heh, the minute <STRONG>"Maputo" </STRONG>came on, you&nbsp;knew the project was destined to be one of the greatest!</FONT>&nbsp;<BR><BR><STRONG><FONT size=2><U>Track Listing:</U><BR>~ Maputo<BR>~ More Than Friends<BR>~ Moon Tune<BR>~ Since I Fell For You<BR>~ Never Enough<BR>~ You Don't Know Me</FONT></STRONG><BR><BR><FONT size=2>The primary players who assisted Dave &amp; Bob along the way of this fine masterpiece were <STRONG>Marcus Miller </STRONG>(Bass), <STRONG>Paul Jackson Jr.</STRONG> (Guitar), <STRONG>Paulinho Da Costa </STRONG>(Percussion)&nbsp;&amp; <STRONG>Steve Gadd </STRONG>(Drums). Produced by <STRONG>Tommy Lipuma.<BR></STRONG><BR>As stated,<STRONG> "Maputo"</STRONG> was practically played out! It was featured as an opening or closing theme track for most jazz oriented radio dials, as well as served as a template for the injunction of the term Smooth Jazz, from the already foundated genre Contemporary Jazz. Needless to say, does it all matter? Bob James (Piano) knew exactly what he was doing when he parleyed &amp; complimented his touch to the ever elegance of David Sanborn's untouchable sax style, form &amp; rythmn. <STRONG>"Maputo" </STRONG>of course, was written by Marcus Miller &amp; his signature is written all over the track, from the bassline to some exceptional background hooks. This track may have marked the legacy of Mr. Miller's compositional abilities, although he had been doing this all along for David Sanborn's earlier solo releases.<BR><BR>Al Jarreau's solo in <STRONG>"Since I Fell For You"</STRONG> was remarkable &amp; very hard to turn off after a slight listen. Memories creep right through my mind every time I hear Al J. croon the life into this ballad; <STRONG>"Its You"</STRONG> is a cover of David's same song released on his critically acclaimed <A href="http://www.amazon.com/Voyeur-David-Sanborn/dp/B000002KM9/ref=sr_1_12?ie=UTF8&amp;s=music&amp;qid=1214343089&amp;sr=1-12"><EM>"Voyeur"</EM></A>&nbsp;album (released in 1980), which also shared the same fame with Marcus Miller, who also was involved on that project. With Mr. James's contributions to the remake, <STRONG>"It's You"</STRONG> sounded REAL good! Yes!! Although I will have to admit, Its hard to distinguish which one sounded better than the other. That question goes out to the hard nosed David Sanborn fans out there. Where are y'all at?<BR><BR>Then you get into <STRONG>"Never Enough"</STRONG> &amp; then you have a solitude, sentimental favorite on your hands. With enough composure to help with the evening arrangements or midday relaxation. Backed right up with the last track <STRONG>"You Don't Know Me", </STRONG>a surely exceptional way to end the project from where it started.<BR><BR>Bob, David &amp; the rest of the players from <STRONG>"Double Vision" </STRONG>had set a standard,&nbsp;apart from just about any other contemporary jazz album released from the 80's or the 90's. Not since the days when mega jazz label CTI (<EM>Creed Taylor</EM>) had released favorite contributions for jazz music. And to know they were part of that growth period &amp; were involved in numerous projects from the legendary CTI label as well. Its no wonder why the album sounded that spectacular. Good enough for a remastered, re-release of the <A href="http://www.amazon.com/Double-Vision-Bob-James/dp/B0000C24K4/ref=sr_1_2?ie=UTF8&amp;s=music&amp;qid=1214343788&amp;sr=1-2">"Double Vision"</A> album at the very start of this year (2008) on the <EM>Rhino/Wea UK </EM>record label.<BR><BR>If you own the LP, please do yourself a favor &amp; play the vinyl back. Be ready though. Don't think its just going to simply remind you of the past decades of great contemporary jazz music. But you may come to grips &amp; feel this project can be replayed all year long in this current generation!<BR><BR>Loving the Vinyl, as always...<BR><BR>Terrill J. Hanna<BR>The Urban Music Scene<BR><BR><BR><BR><BR></FONT>]]></content>
		<summary>...</summary>
	</entry>
	<entry>
		<title>Rene &amp; Angela - Street Called Desire</title>
		<link rel="alternate" href="http://backintheday.theurbanmusicscene.com/2008/06/21/rene--angela--street-called-desire.aspx?ref=rss" />
		<id>tag:backintheday.theurbanmusicscene.com,2008-06-21:a063abb6-64ea-4c5c-b4eb-87fdc1b6feae</id>
		<author>
			<name>Administration</name>
		</author>
		<category term="Rhythm and Blues" />
		<updated>2008-09-14T07:52:55Z</updated>
		<published>2008-06-21T20:01:00Z</published>
		<content type="html"><![CDATA[<FONT size=2><STRONG><U><IMG src="http://images.quickblogcast.com/78992-73711/Rene___Angela.jpg" width=240 border=0><BR><BR></U></STRONG>There is no way in the world that I cannot leave this ultra magnetic R&amp;B album on the sideline, away from the rest of the masterpieces we laid down for y'all on the Back In the Day page/blog! Especially when we are talking about the magnificent connection of Rene &amp; Angela from the 80's! When it came time to turn out the lights, other than jammin' Luther or Teddy, they received serious airplay. And it didn't matter what kind of system it got playback on, if you&nbsp;know what I mean...<BR><BR></FONT><FONT size=2><STRONG><U>Track Listing:<BR></U>~ Save Your Love (For #1)<BR>~ I'll Be Good<BR>~ No How - No Way<BR>~ You Don't Have To Cry<BR>~ Street Named Desire<BR>~ Your Smile<BR>~ Who's Foolin Who<BR>~ Drive My Love</STRONG><BR><BR>1st of all, let me say this: <STRONG>Angela Winbush </STRONG>has 'madd' skills on the piano-vocalist dept. You all should already know by now that after her stint with <STRONG>Mr. Rene Moore</STRONG>, she carried on to treasure us with beautiful, original slow ballads from her collectibles of hits,&nbsp;so deep, it may be the reason why she ended up getting married to another slow crooner who left the same legacy - <STRONG>Mr. Ronald Isley</STRONG>. I hope I am not leaving a bad impression of those two by mentioning his name (because of his legal troubles &amp; divorce), but whenever Angela dropped those secular melodies on the map, it got picked up &amp; played back with the fireplace activated, wine glass poured, ambiance set&nbsp;&amp; so on...No bad impression at all!<BR><BR><EMBED src=http://www.youtube.com/v/huHRU5RBSiY&amp;hl=en width=425 height=344 type=application/x-shockwave-flash></EMBED><BR><BR>And she represented everything romantically expressive&nbsp;before hand with <STRONG>"Your Smile" (Video above!).</STRONG> <EM>(Ah Man..!) </EM>The lyrics was so serious &amp; deep, it propelled &amp; motivated my ability to leave some unique, quality words <EM>(yes...THE MACK!)</EM> &nbsp;to a special young lady back in the day, helping my game out! And with that said, Thanks Angela! (<EM>Its still workin' baby!</EM>); <STRONG>"You Don't Have To Cry" </STRONG>serenaded its way into our <A href="http://news-releases.theurbanmusicscene.com/categories/Discussion.aspx">Top Ten Slow Jams</A>&nbsp;- <A href="http://news-releases.theurbanmusicscene.com/2008/06/09/your-top-ten-old-school-slow-jams.aspx">Track #10</A>&nbsp;category &amp; the current <A href="http://www.theurbanmusicscene.com/Back_In_the_Day_-_Th.html">Video Of The Month on the Back In The Day Page</A>. No need to elaborate any further. Nah!<BR><BR>What really grabbed my attention is how they jammed the box! Either slow or fast grooves! <STRONG>"I'll Be Good" </STRONG>was dazzling, right next to <STRONG>"Save Your Love (For #1)". </STRONG>In fact, those tracks should've been on the charts. High up there!<BR><BR>The reflection of the 80's, 1985 to be exact, brought the best&nbsp;out of <STRONG>Rene &amp; Angela</STRONG>. And who knows what could've happened if they remained together. I mean, we all knew when &amp; where Angela Winbush decided to go, but Rene released his own solo project without much success. <BR><BR>Ms. Winbush is the ultimate entertainer &amp; delight. Not to mention gorgeous! Her tremendous amount of energy &amp; passion in her music can be wildly felt. Not to mention her talents as a producer, songwriter, arranger, vocalist, etc.</FONT> I hope to see her come back to us again one day.<BR><BR>In the meantime, <STRONG><FONT size=3>Its On</FONT>!</STRONG> Kick back &amp; play this one back! The essence &amp; memory off this badd mamajama will control your flow.<BR><BR>Lights Out!<BR><BR>T<BR>The Urban Music Scene <BR><BR>And y'all should already know about this. If not, you betta ask somebody!!<BR>Rene &amp; Angela - <STRONG>I'll Be Good </STRONG>on The Urban Music Scene.com!<BR><BR><EMBED src=http://www.dailymotion.com/swf/xwbmb&amp;related=1 width=420 height=336 type=application/x-shockwave-flash allowScriptAccess="always" allowFullScreen="true"></EMBED><BR><B><A href="http://www.dailymotion.com/video/xwbmb_rene-angela-ill-be-good_music">Rene &amp; Angela - I'll Be Good</A></B><BR><I>Uploaded by <A href="http://www.dailymotion.com/PeteRock">PeteRock</A></I>]]></content>
	</entry>
	<entry>
		<title>Freddie Hubbard - Skagly</title>
		<link rel="alternate" href="http://backintheday.theurbanmusicscene.com/2008/06/13/freddie-hubbard--shagly.aspx?ref=rss" />
		<id>tag:backintheday.theurbanmusicscene.com,2008-06-13:4573fa81-453a-44b8-8388-fc8a4c95c07e</id>
		<author>
			<name>Jazzy</name>
		</author>
		<category term="Jazz" />
		<updated>2008-06-14T08:33:14Z</updated>
		<published>2008-06-13T15:38:00Z</published>
		<content type="html"><![CDATA[<img style="width: 236px; height: 236px;" src="http://images.quickblogcast.com/78992-73711/FreddieHubbard_Skagly.jpg" border="0"><br><br><font size="2">Perhaps, like a lot of you, the eighties were a transition point musically and thankfully, my taste matured significantly and began to evolve beyond the dreadful late seventies “disco” era. <br><br>On this occasion, I have the pleasure to review the esteemed and legendary trumpeter <span style="font-weight: bold;">Freddie Hubbard</span> who began his career in the late fifties and early sixties with brothers Wes and Monk Montgomery. One of the most distinguish moments of his career are based around his Blue Note recording days. They’re probably his best, they say, at least from a jazz purists perspective. However, for those of us who aren’t as deep have a diverse platter and believes that some of Freddie’s contemporary recordings are of importance as well. <br><br>Honestly, until recently, I had not heard “<span style="font-weight: bold;">Skagly</span>.” Freddie recorded this project in 1979 on Columbia Records. “Skagly” is a portrait of an amplified prototype of contemporary jazz that’s cured with remnants of classic jazz around the edges.<br><br>On the first spin, the opening piece “Happiness is Now,” is or should be a trumpeter lovers delight. The bright, and up-tempo elements are reverent to his training ground as he gathered a cohesive unit of players like Hadley Caliman - tenor &amp; flute, Billy Childs - piano, Larry Klein –bass, Carl Burnett- drums and George Duke to make their humble contribution to the first of six splendid pieces.&nbsp;&nbsp; <br><br>The Indianapolis, IN native changes direction on the second cut with the classic “Summer of ’42.” As beautiful as is, you get the gist of were Hubbard’s tone is going on this jewel. Breathe taking, and oh how sweet it is! <br><br>A tune called “Cascais,” is next, it flows effortlessly with authority featuring the gifted reedman Hadley Caliman on flute. The title, “Skagly,” follows as it’s reinforced by the basic essentials of a funk topped off with Freddie’s razor-sharp trumpet playing!<br><br>Freddie continues to strut their stuff with a harmonious tune titled “Rustic Celebration,” this swinging head-bopper’s voice intercedes in the particulars of fusion and classic jazz. The talented ensemble raises the bar of excellence on “Rustic” featuring one of my favorite keyboardist the upcoming [at the time] Billy Childs on piano. <br><br>Regrettably, the last composition is not listed. Nonetheless, the exquisiteness of the piece inhabits the artistic amenities of classic jazz balladry at its finest. Sadly, the jazz community has often criticized Mr. Hubbard for recording projects of this nature, particularly his Columbia recordings. For those of you, who dig contemporary jazz, well this one’s definitely for you. <br><br><span style="font-weight: bold;">Track Listing</span>:<br></font><ol><li><font size="2">Happiness is Now</font></li><li><font size="2">Theme from Summer of '42</font></li><li><font size="2">Cascais</font></li><li><font size="2">Skagly</font></li><li><font size="2">Rustic Celebration</font></li><li><font size="2">Untitled<br></font></li></ol><font size="2">Considering that Freddie Hubbard has a slue of recordings in his catalog, please checkout the following. All are rated very high at <a href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;searchlink=FREDDY%7CHUBBARD&amp;sql=11:0nfyxqr5ldae%7ET2">AllMusic.com</a>.<br><br>1.&nbsp;&nbsp;&nbsp; Open Sesame <br>2.&nbsp;&nbsp;&nbsp; Here to Stay<br>3.&nbsp;&nbsp;&nbsp; Hub-Tones<br>4.&nbsp;&nbsp;&nbsp; The Body and Soul <br>5.&nbsp;&nbsp;&nbsp; Red Clay<br>6.&nbsp;&nbsp;&nbsp; Straight Life<br>7.&nbsp;&nbsp;&nbsp; Sweet Return<br>8.&nbsp;&nbsp;&nbsp; Above and Beyond<br><br>** “Skagly” is not available in digital media or album unless you find it wherever used albums are sold.&nbsp; <br><br>J Desmond<br>The Urban Music Scene</font><br>]]></content>
	</entry>
	<entry>
		<title>Bobbi Humphrey - Fancy Dancer</title>
		<link rel="alternate" href="http://backintheday.theurbanmusicscene.com/2008/06/13/bobbi-humphrey--fancy-dancer.aspx?ref=rss" />
		<id>tag:backintheday.theurbanmusicscene.com,2008-06-13:c4da58dc-c4d7-4872-94b4-c573140ae1b8</id>
		<author>
			<name>Jazzy</name>
		</author>
		<category term="Jazz" />
		<updated>2008-08-14T20:14:10Z</updated>
		<published>2008-06-13T09:53:00Z</published>
		<content type="html"><![CDATA[<IMG style="WIDTH: 241px; HEIGHT: 228px" src="http://images.quickblogcast.com/78992-73711/BobbiHumphrey_FancyDancer.jpg" border=0><BR><BR><FONT size=2>With lots of love and admiration from music enthusiasts everywhere, flutist <SPAN style="FONT-WEIGHT: bold">Bobbi Humphrey</SPAN> was considered one of the premier instrumentalists in the early seventies [1971 respectively]. But, it wasn’t until her “Blacks and Blues” album, that&nbsp;emerged in 1973,&nbsp;her credibility as a female artist began to ascend &amp; brake the barriers of jazz where men only reigned as kings. <BR><BR>Ironically, it was while I was looking for something enticing to listen to. So I decided to not only revisit Ms. Humphrey’s “Blacks and Blues", and "Satin Doll” recordings, but her poignant attributes as a player echoed repeatedly in my head to listen to more music by her. And what do you know: I stumbled across her 1975 release called “<SPAN style="FONT-WEIGHT: bold">Fancy Dancer</SPAN>,” which was also on Blue Note Records and produced once again by the fabulous Mizell Brothers. <BR><BR><STRONG>Fancy Dancer</STRONG>, much like her previous efforts, leans significantly to the outer edge of smooth pop, jazz and fusion. As a paradigm to continue with music that is relevant to listeners at the time. No doubt, her vision to expand beyond the norm proved to be correct move for Ms Humphrey. <BR><BR>On the opener, Humphrey entangled her voice in the festive spirit of summertime with the Latin inspired “Uno Esta.” Hmmm, simply magical! From the onset, she pours her very soul onto the canvas of this elegant arrangement by the Mizell Brothers. As for the next selection, titled “The Trip,” she paints an abstract signature of unpredicted traces of mesmerizing pleasantries on this tapestry, as her lyrical and provocative playing intensifies from this point forward making this record worthy of praise.&nbsp; <BR><BR>What blessing and honor to hear Ms Humphrey’s music from the seventies. It’s quite refreshing to indulge in this palette of music as she gracefully sets the atmospheric on these seven attractive gems. As I listened, her music is rhythmic within the context of her tranquil urban soundscape. Arranged and played buoyantly, these lush and mosaic compositions performed by her contains warmth, strength and beauty. Therefore, the music embodies the qualities that are inviting, making this listening experience one to relish, love and cherish with each play.<BR><BR><SPAN style="FONT-WEIGHT: bold">Track Listing</SPAN>:<BR><BR>1.&nbsp;&nbsp;&nbsp; Uno Esta<BR>2.&nbsp;&nbsp;&nbsp; The Trip<BR>3.&nbsp;&nbsp;&nbsp; You Make Me Feel So Good<BR>4.&nbsp;&nbsp;&nbsp; Fancy Dancer<BR>5.&nbsp;&nbsp;&nbsp; Mestizo Eyes<BR>6.&nbsp;&nbsp;&nbsp; Sweeter Than Sugar<BR>7.&nbsp;&nbsp;&nbsp; Please Set Me at Ease<BR>&nbsp;&nbsp;&nbsp; <BR>Please forgive me. For some strange reason we keep reviewing out of print music around here. It is our desire for someone like you with good taste, the finances and the willingness to give records like this new life in the digital music age.&nbsp; <BR><BR>J Desmond<BR>The Urban Music Scene</FONT><BR>]]></content>
		<summary>...</summary>
	</entry>
	<entry>
		<title>George Howard - Reflections</title>
		<link rel="alternate" href="http://backintheday.theurbanmusicscene.com/2008/06/09/george-howard--reflections.aspx?ref=rss" />
		<id>tag:backintheday.theurbanmusicscene.com,2008-06-09:c5587d6f-23c5-441b-b3ba-24841031efff</id>
		<author>
			<name>Jazzy</name>
		</author>
		<category term="Jazz" />
		<updated>2008-08-14T20:12:54Z</updated>
		<published>2008-06-09T18:24:00Z</published>
		<content type="html"><![CDATA[<IMG src="http://images.quickblogcast.com/78992-73711/george_howard1.jpg" width=240 border=0><BR><BR><FONT size=2>Back in 1979, the velvety warm textures of soprano saxophonist <SPAN style="FONT-WEIGHT: bold">George Howard</SPAN> was summoned by his mentor (to be) <SPAN style="FONT-WEIGHT: bold">Grover Washington Jr</SPAN> to tour extensively. On “<SPAN style="FONT-WEIGHT: bold">Reflections</SPAN>,” you would understand Grover’s passion to call upon Howard to play soprano parts on the tour. After touring with Washington, this obviously helped establish him a noteworthy musician and soon thereafter his debut “Asphalt Gardens” was born in 1982.<BR></FONT><BR><FONT size=2><STRONG>Reflections,</STRONG> among many projects by Howard, shows his tonality fits perfectly in the tenor of the smooth jazz sound these days. It goes to show even before smooth was conceived in the mid-nineties, cats like Howard was serving up a tasty dose of radio friendly gems. On this project, with his vision and concept, Mr. Howard in the production seat appealed to a core of familiar artists in the industry to record “Reflections”. Take Like: “<EM>Paul Jackson Jr, Paulinho Da Costa, Nathan East, George Duke, Doc Gibbs, Rayford Griffin, Stanley Clarke, Ray Fuller” </EM>and a host of others.</FONT><BR><BR><FONT size=2>Out of the pocket, George takes you on a sensually tasty journey with a groove titled “Too Bad,” produced by co-producer Robert Brookins. This mid-tempo head bopper is bound to please and a great way to begin a listening experience. No question, this song personifies the man behind the music with his signature, style and sound. </FONT><BR><BR><FONT size=2>Arguably, this nine-song collection of delectable grooves is focused on the language and intimacy of Howard’s voice. As expressed on the title track “Reflections”, which is ideal in this or any setting for music lovers. George also puts a nice twist to “Love Will Conquer All”, originally recorded by Lionel Richie. <BR><BR></FONT><FONT size=2><SPAN style="FONT-WEIGHT: bold">Track Listing</SPAN>:<BR></FONT>
<OL>
<LI><FONT size=2>Too Bad</FONT></LI>
<LI><FONT size=2>Reflections</FONT></LI>
<LI><FONT size=2>Funk It Out</FONT></LI>
<LI><FONT size=2>One Love</FONT></LI>
<LI><FONT size=2>Late Night</FONT></LI>
<LI><FONT size=2>Love Will Conquer All</FONT></LI>
<LI><FONT size=2>Let's Pretend</FONT></LI>
<LI><FONT size=2>Attitude</FONT></LI>
<LI><FONT size=2>I Like This Groove</FONT></LI></OL><FONT size=2>Unfortunately, from what I understand, “Reflections” is out of print. For those of us who loved [and still do] the music of George Howard, we truly miss him as an artist and performer. Our friend in music <STRONG>George Howard </STRONG>passed away on March 22nd 1998 due to having a Lymphoma at the young age of 41. <BR><BR>We miss you very much!! <BR><BR><SPAN style="FONT-WEIGHT: bold"></SPAN></FONT><FONT size=2>J Desmond<BR>The Urban Music Scene</FONT><BR>]]></content>
	</entry>
	<entry>
		<title>Atlantic Starr - As The Band Turns</title>
		<link rel="alternate" href="http://backintheday.theurbanmusicscene.com/2008/06/08/atlantic-starr--as-the-band-turns.aspx?ref=rss" />
		<id>tag:backintheday.theurbanmusicscene.com,2008-06-08:1b829aa9-c145-47e3-9c1a-9ef1ccb40af9</id>
		<author>
			<name>Administration</name>
		</author>
		<category term="Rhythm and Blues" />
		<updated>2008-09-14T07:54:18Z</updated>
		<published>2008-06-08T10:02:00Z</published>
		<content type="html"><![CDATA[<P class=MsoNormal style="MARGIN: 0in 0in 0pt; LINE-HEIGHT: 150%"><SPAN style="FONT-SIZE: 14pt; FONT-FAMILY: 'Times New Roman','serif'; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-far: EN-US"><FONT face=Verdana size=2><IMG src="http://images.quickblogcast.com/78992-73711/Atlantic_Starr.jpg" width=190 border=0><BR><BR>In 1985 during the peak of old school, just my opinion, Atlantic Star dropped their sixth album. This album was produced while changes were being made in the group. Lead singer Sharon Bryant left the group, and her shoes were filled quite well with her replacement, Barbara Weathers. This album entitled, <STRONG>"As The Band Turns",</STRONG> turned out to be one of the bands' most successful projects &amp; last album under A&amp;M Records.<BR><BR>Some of the highlights are track one <STRONG>“Freak-a-Ristic” </STRONG>which is the ultimate jam whether you are throwin’ down on the pit, roller skatin’ or just chillin’ at the park.<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>Now for the rest of the line-up Atlantic Starr put together some classic slow jams like <STRONG>“If Your Heart Isn’t In It”, </STRONG>or <STRONG>“Silver Shadows”</STRONG> and the ever popular <STRONG>“Secret Lovers”.</STRONG><SPAN style="mso-spacerun: yes">&nbsp; </SPAN>All I can say is there was a major slow jam war brewing in the 80’s and Atlantic Starr may not have won the war but they were definitely a strong contender.</FONT><FONT face=Verdana><FONT size=2><SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;<BR><BR></SPAN>D’Mo<BR></FONT></FONT><FONT size=2><FONT face=Verdana>The Urban Music Scene<BR><BR></FONT><FONT face=Verdana>Yo D'Mo!! Here's "Secret Lovers" for your musical pallet!!</FONT></FONT><BR><BR style="mso-special-character: line-break"></SPAN></P>
<DIV><EMBED src=http://www.dailymotion.com/swf/x2qdaa&amp;related=1 width=420 height=307 type=application/x-shockwave-flash allowFullScreen="true" allowScriptAccess="always"></EMBED><BR><B><A href="http://www.dailymotion.com/video/x2qdaa_atlantic-starr-secret-lovers_music">ATLANTIC STARR - Secret lovers</A></B><BR><I>Uploaded by <A href="http://www.dailymotion.com/sofresh305">sofresh305</A></I></DIV>]]></content>
	</entry>
	<entry>
		<title>Lakeside - Untouchables</title>
		<link rel="alternate" href="http://backintheday.theurbanmusicscene.com/2008/06/02/lakeside--untouchables.aspx?ref=rss" />
		<id>tag:backintheday.theurbanmusicscene.com,2008-06-02:a96f8a4c-1864-4aff-b3b5-022c6c8ca941</id>
		<author>
			<name>Administration</name>
		</author>
		<category term="Old School Soul" />
		<category term="Rhythm and Blues" />
		<updated>2008-09-14T07:54:57Z</updated>
		<published>2008-06-02T12:24:00Z</published>
		<content type="html"><![CDATA[<IMG src="http://images.quickblogcast.com/78992-73711/Lakeside.jpg" width=240 border=0><BR><BR><FONT size=2>Now....the album cover art sold me back in 1983. Take one good look at it. If you have the album, switch it over &amp; even open it up. What do you see? 9 brothers running a precinct somewhere downtown. Ready to conduct a<STRONG> 'Raid' </STRONG>at a nearby dance hall. Or something. Packin' guns &amp; stuff, it could be something else. I'm leaning on "<STRONG>Raid"</STRONG> because The G (groove)&nbsp;Men meant it musically. Forget the rest.<BR><BR></FONT><FONT size=2><STRONG><U>Track Listing:</U><BR>~ Raid<BR>~ Turn The Music Up<BR>~ So Let's Love<BR>~ Real Love<BR>~ Alibi<BR>~ Untouchable<BR>~ Tinsel Town Theory (aka: The Hollywood Story)<BR>~ So Let's Love (reprise)</STRONG><BR><BR>Solar Records was the label dedicated to putting the groove out there. The roster they had was impeccable. Everybody who came from Solar had at least 1 jam. At LEAST one. And they had successful career's at that. Dynasty, Shalamar, The Whispers, Carrie Lucas, etc. I can be here all day. But when they launched the careers of <STRONG>Lakeside,</STRONG> the wave of funk swung its momentum from the West to the East &amp; all I know a party was activated within minutes. What owner of a boom box didn't play out <STRONG>"Raid"? </STRONG>i played it until my batteries went dead. And those got darn "D" size batteries were expensive! Who ya' tellin'?<BR><BR>I also cranked up "<STRONG>Turn The Music Up"</STRONG> too. <STRONG>"So Let's Love" </STRONG>was jammin' too. The whole album was the one to get. Take it from me: Its good, real good, I mean R&amp;B funk at its best. They are the <STRONG>"Untouchables" </STRONG>alright.<BR><BR>As a side note, it made be go back to those road travelin days, checking out the Kool Festivals. They need to bring those back, although my main man Tom Joyner is taking it to the bank with his series of old school concerts &amp; cruises. Somebody needs to do something.</FONT> <BR><BR>Charles F. Sherard<BR>The Urban Music Scene <BR>
<DIV><BR>Yo Charles, Here's a video of "Turn The Music Up" for your flashback experience!<BR><BR><EMBED src=http://www.dailymotion.com/swf/x2p2th&amp;related=1 width=420 height=336 type=application/x-shockwave-flash allowScriptAccess="always" allowFullScreen="true"></EMBED><BR><B><A href="http://www.dailymotion.com/video/x2p2th_lakeside-turn-the-music-up-1983_music">Lakeside - Turn The Music Up (1983)</A></B><BR><I>Uploaded by <A href="http://www.dailymotion.com/fonkymusic">fonkymusic</A></I></DIV>]]></content>
		<summary>...</summary>
	</entry>
	<entry>
		<title>Midnight Star - Headlines</title>
		<link rel="alternate" href="http://backintheday.theurbanmusicscene.com/2008/05/31/midnight-star--headlines.aspx?ref=rss" />
		<id>tag:backintheday.theurbanmusicscene.com,2008-05-31:dfce8c3e-1b22-4853-b70e-b0ee2141fc0b</id>
		<author>
			<name>Administration</name>
		</author>
		<category term="Rhythm and Blues" />
		<updated>2008-09-14T07:43:23Z</updated>
		<published>2008-05-31T16:26:00Z</published>
		<content type="html"><![CDATA[<IMG src="http://images.quickblogcast.com/78992-73711/Midnight_Star___Headlines.jpg" width=275 border=0><BR><BR><FONT size=2>Y'all ain't ready for Midnight Star! Nah...not after the mega galactic hit<STRONG><EM> "Freakazoid".</EM></STRONG> Not since I broke open the plastic to the record, have I heard such a monster packed jam! The N.C.O. Club back in the day was the spot. How many of you know what it was like to hit the N.C.O. Club after dark &amp; get your boogie on? The D.J. we had 25 years ago packed the dance floor with classic footstompers like these R&amp;B groups. But I needed to pull out some more vinyl for Terrill this month. Gotta teach him a few things. He may already know it. But just in case...</FONT><BR><BR><STRONG><U>Track Listing:</U><BR>~ Headlines<BR>~ Midas Touch<BR>~ Stay Here By My Side<BR>~ Close To Midnight<BR>~ Get Dressed<BR>~ Engine No. 9<BR>~ Close Encounter<BR>~ Dead End<BR>~ Searching For Love<BR></STRONG><BR><FONT size=2>They don't make good music like this nowadays. For a second, I was hoping Midnight Star would re-emerge &amp; get the party back on track. Since it isn't in the news yet, or maybe, i'll keep myself satisfied &amp; pump up the volume to <STRONG>"Headlines".</STRONG> <BR><BR>I played the heck out of<STRONG> "Midas Touch", "Headlines" &amp; "Engine No. 9". </STRONG>But really people, the jam that I highlighted the most after a longs day work, especially on friday nights was the song that sounded too closely like another previous song <STRONG>("Curious").</STRONG> It was called <STRONG>"Close To Midnight"</STRONG> (I'm playing it right now in a matter of fact). Terrill, go find that MP3 &amp; play it back on the site because man, THAT TRACK BROUGHT OUT THE MACK! Need not say anymore after that fellas. The ladies KNEW it was time to groove &amp; nothing else mattered at that point. Whew, the good days of a house party just flashed back into my mind. Time warp!<BR><BR>The album was delicious! The Calloway Brothers had it going on. I believe this was their last album as a group. The gerry curl is gone now, but the music stays fresh in my mind &amp; in my ipod.<BR><BR>Again, you guys got it goin' ON.<BR></FONT><BR>Charles F. Sherard<BR>The Urban Music Scene<BR><BR>]]></content>
	</entry>
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