Jason Weaver | Love Ambition



Back In The Day Review: Jason Weaver | Love Ambition
By Peggy Oliver
(Motown Records - 1995)

 
Ever since he made his presence known in the industry, Jason Weaver is one of the most in demand actors on television and movies. His most prolific roles were that of a young Michael Jackson in the T.V. mini series, The Jacksons: An American Dream in 1992 and co-starring with Brandy the following year on the television sitcom Thea. Still one year later, Weaver voiced Simba in one of Disney’s smash animated features, The Lion King. In the millennium, Weaver experienced a fair amount of success on the big screen, including Drumline in 2002 alongside Nick Cannon. More recently, Weaver took on a producer role for a movie soon to premiere on BET, He’s Mine, Not Yours, which portrays black men as faithful romantic partners.



 
Besides his screen work, Weaver tasted a brief recording career and was signed to Motown Records in 1995 at the age of sixteen. Supposedly the heads of Motown envisioned his debut release, Love Ambition, intending to find that next Michael Jackson type. Yet the direction of Love Ambition leans more towards the new jack swing stars like Bobby Brown, Jodisi and New Edition, who dominated the nineties with their romantic smooth ballads and their hip-hop induced jams. Love Ambition drives off of Weaver’s appealing personality and his deep appreciation for the aforementioned, the production team including Keith Crouch, Christopher ‘Tricky’ Stewart & Hakim Abdulsamad and Khiry Abdulsamad of The Boys and backgrounds by The Boys and Rahsaan Patterson (the year before he broke out with his solo debut).   Two major singles emerged from Love Ambition: the vocoder filled “I Can’t Stand the Pain” and the title track. Though Weaver manages a decent interpretation of “For the Love of You,” there is virtually no comparison to Ronald Isley’s rich, luscious tenor on the original version. The two tracks of special note - “Ordinary Guy” and “My Love” – produced by Hakim & Khiry - comprise Weaver’s strongest performances; where some of the Michael Jackson influence takes over and his vocal grit and passion truly take flight.  
 
Weaver’s follow-up to Love Ambition, the EP Stay with Me, never saw the music shelves, yet those sessions presented the talents of soon to be future R&B heavyweights, Missy Elliot and Rodney Jerkins. In the meantime, Weaver is working out details for an upcoming mix tape with Sky Keeton under the moniker Sons of Bobby Brown. In the meantime, step into the Back in the Day time tunnel to re-experience Weaver’s smooth pipes on Love Ambition. Three and a half stars.
 
Peggy Oliver
The Urban Music Scene
 

 

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